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Reply #90 posted 02/04/06 7:31am

calldapplwonde
ry83

BTW, is it really sure that he'll do 'Black Sweat' at all on SNL? Has it been announced or confirmed somewhere?
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Reply #91 posted 02/04/06 7:34am

AndreC

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Payt said:

NouveauDance said:



hmph!

That's a horrible thing to say about Escape.


You'll have to admit that BS is mixed a LOT better than escape though wink (escape being top-heavy.. hardly any bass)


Smithers, release the hounds...



smile
As one door closes, another opens...
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Reply #92 posted 02/04/06 7:37am

Milty

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i dunno...it's not catching me. it sounds like 90s r+b. or something from Emancipation. it may sound a little like old Prince but the beat is so Neptunes/Kelis/Dr Dre/L.A. sounding.

on a second listen, i think Te Amo Corazon is much much better. i keep hoping that the real version of Black Sweat is going to be released like Stevie Wonder's So What The Fuss?. the version that was leaked didn't have the funk breakdown at the end like the album version does.

hopefully Black Sweat is like that.
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Reply #93 posted 02/04/06 7:46am

SPOOKYGAS

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Funk!
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Reply #94 posted 02/04/06 8:57am

joyinrepetitio
n

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Its funny after reading these post again how some people are not feeling this song. This is what us Prince fans wanted, a danceable funk groove and this is it. Prince is showing me something with this one. I'm going to call the radio stations requesting this all the time. When people hear this they are going to be like "Is that Prince?!" After tonights SNL, people are going to jump on our Prince wagon again. All I have to say "MUTINY....Im taking over" for the real Prince fans. The album to me has put out two great jams and Prince was right when he said Te Amo Corazon is not an indication of what the album is going to be like. Black Sweat feels like 1987 again with a SOTT/Camille vibe. I wouldn't be surprised if the vocals are attributed to Camille because that how funky it is. Prince really showed his ass and put his foot in it on this one!(That means that the shit is FUNKY for those that don't know).
__________________________________________________
2 words falling between the drops and the moans of his condition
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Reply #95 posted 02/04/06 9:01am

Byron

Lammastide said:

Byron said:

I think people here care too much about what everyone else thinks...and I think peoeple here care too much about making sure everyone eles knows what they think...lol ...wild how our mindset changes with technology.

Had the internet and message board sites like this one existed 20 years ago when "Kiss" first came out, I imagine the split among fans who loved/hated the song was intially released would have been similar to what it is now for "Black Sweat": most of us liking it, some of us not getting into it at all, at least not initially...I, for one, was underwhelmed when I first heard "Kiss", and a bit disappointed. I'd imagine the "haters" (...I hate that term) back then may have commented on things like saying Prince's falsetto is too irritating for the entire length of a single, and how much better it would have been had he sung it in his "normal" voice...that the rhythm guitar is "ok" but pales when compared to what he threw down on "Let's Go Crazy" and "Temptation"...that lines like "Act your age/Not your shoe size" are immature and weak compared to the poetry of "When Does Cry"...and that his Donald-Duck-On Helium screetching at the end of the song is just a step above fingernails on a chalkboard.

I know we all like to pretend we could spot and appreciate Prince's classic singles the very first time we heard them, that we just "knew" this one was different than the rest...and we also tend to convince ourselves that the number of years we've been a fan somehow gives us otherworldly insight into how long Prince spent creating a song, whether or not he had fun doing so, his mindset at the time of creation, whether or not the song will be a Top 40 hit, and especially whether or not he'll ever again be able to create anything worthy of the label "Genius"...and this goes for both sides of the fence, both pro and con, good and bad, "Love it" and "Hate it". I chalk it up to nothing more than how the internet has shaped our perceptions of our opinions, as well as how it has shaped our perceptions of everyone else's...lol

I sometimes wish we could turn back the clock to a time where a new Prince song could exist on its own, and I could listen to it and either like it or be bored with it without the background noise of a million anonymous opinions trying to convince me I should feel differently. I suppose I could just not come here when a new song is released...but my mindset I think has been forever changed by 6+ years of message board experience of all shapes and colors. Unlike in 1986, I now want to know what "everyone" thinks all the time...and it's almost subconscious at this point.


hmmm I agree with much of what you say here, but I think you're being a weeee bit hard on the... .... "fam" and the internet.

Art, in itself, is deeply personal, yet part of its extended appeal -- to me at least -- is that I can appreciate it in the context of a greater community that also appreciates it one way or another. Especially in times like these, it's FANTASTIC that we have this kinda thing to bring us together... even if it's only to blow hot air. Generally, others' opinions don't sway my own when it comes to this kinda stuff (I'm a stubborn bastard when it comes to my art mad), but they do often help me see more nuanced terrain in the piece I'm taking it...

I mean, Byron, solely by perusing this thread, I've been made to think of "Black Sweat" in relation to Pharrell, James Brown, new and old Prince, his hits and his flops over 2 1/2 decades. I'm more actively thinking about the Linn drums, the absence of horns, the falsetto, the amount of lead and rhythm guitar, whether Wendy & Lisa continue to have an influence... I'm even considering the song's place in Prince's career as juxtaposed to that of John Fogerty and CCR, for goodness sake!! I LIVE FOR THIS SORT OF STUFF! excited

I, too, think the internet has turned everyone into an armchair critique and/or producer, but this is old as art itself. Consider the Algonquin Round Table or dedicated circles for the Bronte sisters, Plato, Socrates, Dickens, Shakespeare, Wordsworth, Francis Bacon, any number of classical composers. And consider us to be Prince's!

For sure, all this banter strips away a certain innocence from the music, itself... or, quite opposite, overadorns it with things it needn't be weighed down with. But this conversation fleshes out our experience!!

I agree with everything you said there...except I think the time and place for that type of experience/discussion is not necessarily at the exact moment you first experience a work of art, be it musical or whatever. I liken it to being the difference between seeing a painting for the first time while it's haning on a wall in a museum, or seeing it for the first time on a projector screen in an art class during a critique.

The first way you're able to take it in fully, and emotionally, without anything else effecting your perceptions...not even sounds (museums are so quiet...well, except when Muse, Sweeny and I are in them together..lol). The second way you're robbed of that experience, with the dozens of opinions and voices pointing out what "works", what doesn't...it's dissected more than it's experienced.
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Reply #96 posted 02/04/06 10:17am

FanofDaFascist

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Am I the only one who hears this "I'm workin, Workin up a black sweat. I'm workin, Workin up a black sweat" = "I'm willing, willing to do the work. Yes indeed, I'm willing, willing to do the work. Now what about you"? The tempo, melody, and rhythm are a little too similar for me.
My name is Prince evilking and I want your money
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Reply #97 posted 02/04/06 10:25am

calldapplwonde
ry83

No, that's been brought up a dozen times already. Personally, I like the idea that they're vaguely similar because if you don't like the religious tone of 'The Work pt.1', you can play the new track and see that he does it like this, too.
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Reply #98 posted 02/04/06 10:49am

GoldenGlove

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Not as funky as the acoustic version... but it does get better with each listen.
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Reply #99 posted 02/04/06 10:51am

xpertluva

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antoon said:

xpertluva said:

Does anyone else hear "Escape" in "Black Sweat", especially the arrangement of the vocals; "It's more hard to love than it is to hate".


How funny that you say that.
Since I've heard Black Sweat, the song 'Escape' has been playin in my head constantly... and indeed especially the part you quoted.

cool

Black Sweat is great!

That is funny. That's exactly what happened to me after the first time I heard it smile
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Reply #100 posted 02/04/06 10:56am

calldapplwonde
ry83

Just listening to it again... damn, this is hot! Got me hooked to say the least. I'm so happy with it. Thanks, Prince. touched
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Reply #101 posted 02/04/06 11:38am

GoldenGlove

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Reply #102 posted 02/04/06 11:40am

jone70

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Milty said:

i dunno...it's not catching me. it sounds like 90s r+b. or something from Emancipation. it may sound a little like old Prince but the beat is so Neptunes/Kelis/Dr Dre/L.A. sounding.

on a second listen, i think Te Amo Corazon is much much better. i keep hoping that the real version of Black Sweat is going to be released like Stevie Wonder's So What The Fuss?. the version that was leaked didn't have the funk breakdown at the end like the album version does.

hopefully Black Sweat is like that.


I'm going to have to respectfully disagree with you on that. Black Sweat does not sound anything like the sappy crap on Emancipation. I fuckin' hate that album--it's 3 discs of steaming pooptoast No way does Black Sweat sound like anything from that. And if the rest of 3121 sounds like Emancipation, I'm going to be mad

twocents
The check. The string he dropped. The Mona Lisa. The musical notes taken out of a hat. The glass. The toy shotgun painting. The things he found. Therefore, everything seen–every object, that is, plus the process of looking at it–is a Duchamp.
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Reply #103 posted 02/04/06 11:44am

jone70

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DarlingDiana said:

The song reminds me a bit of his music from the Dirty Mind and Controversy albums for some reason. I was surprised to hear him sing in falsetto, very refreshing to have the falsetto back! It's got a dancable beat and a catchy hook, I like it. It's not gonna go down as a classic Prince song, but it's still worth the occasional listen. I think the highlight of the song if from about 3:20 to about 3:50, but that's just me.



Wait a minute...the versions I've heard end between 3:10 and 3:19... hmm
The check. The string he dropped. The Mona Lisa. The musical notes taken out of a hat. The glass. The toy shotgun painting. The things he found. Therefore, everything seen–every object, that is, plus the process of looking at it–is a Duchamp.
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Reply #104 posted 02/04/06 11:47am

LleeLlee

hotness on the ears! hehe..I like it!
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Reply #105 posted 02/04/06 12:46pm

Adisa

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Hmmmmm...
If this same song was the single for a new artist, or a current young mainstream artist already established, I wonder which way the opinons already given would sway.

wink
I'm sick and tired of the Prince fans being sick and tired of the Prince fans that are sick and tired!
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Reply #106 posted 02/04/06 1:13pm

kickdrum

at last prince is back !, cool groove, great vocals, love the video shows his great sense of humour, 3121 bring it on ! !
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Reply #107 posted 02/04/06 2:04pm

rainbowchild

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Out of **** stars, I give it **.
"Just like the sun, the Rainbow Children rise."



"We had fun, didn't we?"
-Prince (1958-2016) 4ever in my life
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Reply #108 posted 02/04/06 2:30pm

shorttrini

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murph said:

Byron said:


Yet it's still a Pharrell/Black Eyed Peas rip-off...lol lol



I know I'm an old motherfucker...But still, I have my ear planted to what's going on in music scene because I'm in the business...But "Black Eyed Peas"????? That song has no connection with anything remotely BEP...To me it sounds like a bunch of dried up, nursing home-ready fans who have no idea what's going on in contempoary music (if you don't fit the description, no harm, no foul)...Seriously, I hear shit like "add some horns" and it drives me crazy...As for Pharelle, the man merely implemented P's mojo into the style and rhythm of the hip-hop age..."Black Sweat" is designed to do damage on the radio and in the clubs...Live horns would merely slow the track down...My opinion: The song is find the way it is...



I totally agree with you!!!. It seems to me that some people are just being too critical. They did not dig the first single due to the fact that it was too slow and boring, now he comes back with some up tempo shyt and you all are finding fault with that. Make up yall's minds!! Black Sweat is as funky a song as he has released in a long time. Live horns would make the song way too over powering. It's strictly made for the clubs for now. Maybe Prince in trying a new angle."Let's make something for the clubs"....He has done this before with much sucess....so let's see.
"Love is like peeing in your pants, everyone sees it but only you feel its warmth"
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Reply #109 posted 02/04/06 3:16pm

2freaky4church
1

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I give it minus two stars. hehe.
All you others say Hell Yea!! woot!
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Reply #110 posted 02/04/06 4:35pm

purplecam

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shorttrini said:

murph said:




I know I'm an old motherfucker...But still, I have my ear planted to what's going on in music scene because I'm in the business...But "Black Eyed Peas"????? That song has no connection with anything remotely BEP...To me it sounds like a bunch of dried up, nursing home-ready fans who have no idea what's going on in contempoary music (if you don't fit the description, no harm, no foul)...Seriously, I hear shit like "add some horns" and it drives me crazy...As for Pharelle, the man merely implemented P's mojo into the style and rhythm of the hip-hop age..."Black Sweat" is designed to do damage on the radio and in the clubs...Live horns would merely slow the track down...My opinion: The song is find the way it is...



I totally agree with you!!!. It seems to me that some people are just being too critical. They did not dig the first single due to the fact that it was too slow and boring, now he comes back with some up tempo shyt and you all are finding fault with that. Make up yall's minds!! Black Sweat is as funky a song as he has released in a long time. Live horns would make the song way too over powering. It's strictly made for the clubs for now. Maybe Prince in trying a new angle."Let's make something for the clubs"....He has done this before with much sucess....so let's see.

If that's his new approach, then I will be the happiest man alive. That's part of why I'm a fan. No one can make me drop it like it's hot like Prince, that's why this song is so special to me because it's as if it's like "How Prince got his Groove Back". Now he just has to keep it.
I'm not a fan of "old Prince". I'm not a fan of "new Prince". I'm just a fan of Prince. Simple as that
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Reply #111 posted 02/04/06 4:36pm

purplecam

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On top of that, Prince's biggest hits were dance songs. I won't be shocked if BS becomes a big hit all around the world.
[Edited 2/4/06 16:37pm]
I'm not a fan of "old Prince". I'm not a fan of "new Prince". I'm just a fan of Prince. Simple as that
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Reply #112 posted 02/04/06 8:59pm

SDNafka

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joyinrepetition said:

Its funny after reading these post again how some people are not feeling this song. This is what us Prince fans wanted, a danceable funk groove and this is it.


Love your enthusiasm, just a small correction though - this is what SOME Prince fans, including your good self, wanted. Its not what I wanted. If I want old-style Prince I'll play my old-style Prince CD's - that's what they're for.
"Don't hate me cos I'm beautiful"
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Reply #113 posted 02/05/06 1:11am

legendofnothin
g

I'm Diggin this one! It's laid back, hip, classy and has a nice dash of Funk. At this stage in the game I didn't think he still had it in him. Looks like the Maestro has returned.
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Reply #114 posted 02/05/06 4:06am

DarlingDiana

jone70 said:

DarlingDiana said:

The song reminds me a bit of his music from the Dirty Mind and Controversy albums for some reason. I was surprised to hear him sing in falsetto, very refreshing to have the falsetto back! It's got a dancable beat and a catchy hook, I like it. It's not gonna go down as a classic Prince song, but it's still worth the occasional listen. I think the highlight of the song if from about 3:20 to about 3:50, but that's just me.



Wait a minute...the versions I've heard end between 3:10 and 3:19... hmm

I meant 2:30 and 2:50, my bad.
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Reply #115 posted 02/05/06 7:38am

Lammastide

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Byron said:

Lammastide said:

Byron said:

hmmm I agree with much of what you say here, but I think you're being a weeee bit hard on the... .... "fam" and the internet.

Art, in itself, is deeply personal, yet part of its extended appeal -- to me at least -- is that I can appreciate it in the context of a greater community that also appreciates it one way or another. Especially in times like these, it's FANTASTIC that we have this kinda thing to bring us together... even if it's only to blow hot air. Generally, others' opinions don't sway my own when it comes to this kinda stuff (I'm a stubborn bastard when it comes to my art mad), but they do often help me see more nuanced terrain in the piece I'm taking it...

I mean, Byron, solely by perusing this thread, I've been made to think of "Black Sweat" in relation to Pharrell, James Brown, new and old Prince, his hits and his flops over 2 1/2 decades. I'm more actively thinking about the Linn drums, the absence of horns, the falsetto, the amount of lead and rhythm guitar, whether Wendy & Lisa continue to have an influence... I'm even considering the song's place in Prince's career as juxtaposed to that of John Fogerty and CCR, for goodness sake!! I LIVE FOR THIS SORT OF STUFF! excited

I, too, think the internet has turned everyone into an armchair critique and/or producer, but this is old as art itself. Consider the Algonquin Round Table or dedicated circles for the Bronte sisters, Plato, Socrates, Dickens, Shakespeare, Wordsworth, Francis Bacon, any number of classical composers. And consider us to be Prince's!

For sure, all this banter strips away a certain innocence from the music, itself... or, quite opposite, overadorns it with things it needn't be weighed down with. But this conversation fleshes out our experience!!

I agree with everything you said there...except I think the time and place for that type of experience/discussion is not necessarily at the exact moment you first experience a work of art, be it musical or whatever. I liken it to being the difference between seeing a painting for the first time while it's haning on a wall in a museum, or seeing it for the first time on a projector screen in an art class during a critique.

The first way you're able to take it in fully, and emotionally, without anything else effecting your perceptions...not even sounds (museums are so quiet...well, except when Muse, Sweeny and I are in them together..lol). The second way you're robbed of that experience, with the dozens of opinions and voices pointing out what "works", what doesn't...it's dissected more than it's experienced.

I guess that's true. Point taken.

We should put disclaimers on the stickies. smile NOTE: ENTER AT YOUR OWN RISK!!
Ὅσον ζῇς φαίνου
μηδὲν ὅλως σὺ λυποῦ
πρὸς ὀλίγον ἐστὶ τὸ ζῆν
τὸ τέλος ὁ χρόνος ἀπαιτεῖ.”
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Reply #116 posted 02/05/06 9:22am

jone70

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DarlingDiana said:

jone70 said:



Wait a minute...the versions I've heard end between 3:10 and 3:19... hmm

I meant 2:30 and 2:50, my bad.



No worries, you just had me a little excited that there was indeed an extended version somewhere. cool
The check. The string he dropped. The Mona Lisa. The musical notes taken out of a hat. The glass. The toy shotgun painting. The things he found. Therefore, everything seen–every object, that is, plus the process of looking at it–is a Duchamp.
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Reply #117 posted 02/05/06 1:23pm

RaiseFour

BS....pretty good song....better than i expected. In regards 2 how it stacks up 2 the current sound as well as "P" n the past i'll just say "it is what it is"....danceable, catchy, radio/club friendly. It's so hard 2 compete with urself esp. when u've set the bar so high and ur "OLD" sound has influenced and permeated the industry. 3 out of 4 stars for me.
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Reply #118 posted 02/05/06 4:19pm

Alexandernvrmi
nd

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metalorange said:

GooeyTheHamster said:

Just a little note.

break down; U -can -act -hard -if -U -want -2 -this -groove -will -make -U -sweet

is very

2 the bridge; My -level -is -now -what -U -must -learn -2 -rise -above

innit?


That's exactly what I thought when I heard that bit - it does sound very similar to Undisputed from Rave. Though I doubt the many Rave haters on here will admit to that. Classic Prince? Yeah, classic Rave era Prince!

I don't dislike the song - it is pretty funky, then again, I quite liked most of Rave anyway. I think just like Te Amo that it is crying out for a guitar solo or extended jam at the end - it just feels too short. I know a lot of people are expecting there to be a longer version - I don't know, I always felt Dear Mr. Man continued after it ended, but we never heard any more.

It's one of those songs you just know the live version is going to be so much better, you wonder why he doesn't just put a more live version as the single!


the song is similar in structure Undisputed Black Sweat is just a lot better song and not as choppy. In fact the song is much closer to Kiss. Which is said Undisputed actually was born out of those sessions. One thing though disagree that Black Sweat needs a guitar solo...it so doesn't. It is what it is....a dance track...P got it right
Dance... Let me see you dance
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Reply #119 posted 02/05/06 4:22pm

Alexandernvrmi
nd

avatar

shorttrini said:

murph said:




I know I'm an old motherfucker...But still, I have my ear planted to what's going on in music scene because I'm in the business...But "Black Eyed Peas"????? That song has no connection with anything remotely BEP...To me it sounds like a bunch of dried up, nursing home-ready fans who have no idea what's going on in contempoary music (if you don't fit the description, no harm, no foul)...Seriously, I hear shit like "add some horns" and it drives me crazy...As for Pharelle, the man merely implemented P's mojo into the style and rhythm of the hip-hop age..."Black Sweat" is designed to do damage on the radio and in the clubs...Live horns would merely slow the track down...My opinion: The song is find the way it is...



I totally agree with you!!!. It seems to me that some people are just being too critical. They did not dig the first single due to the fact that it was too slow and boring, now he comes back with some up tempo shyt and you all are finding fault with that. Make up yall's minds!! Black Sweat is as funky a song as he has released in a long time. Live horns would make the song way too over powering. It's strictly made for the clubs for now. Maybe Prince in trying a new angle."Let's make something for the clubs"....He has done this before with much sucess....so let's see.


yes absolutely to both of you....when I hear crap like the song needs a guitar solo or horns I just want to start slapping some of these folks
Dance... Let me see you dance
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